Choosing How to be Seen: Lessons from Louise Nevelson’s Early Work
Louise Nevelson and I are twins, separated at birth by almost one hundred years—or maybe we’re friends, or she’s my godparent: a guiding light,…
Read More
Louise Nevelson and I are twins, separated at birth by almost one hundred years—or maybe we’re friends, or she’s my godparent: a guiding light,…
Read More
In my book, Spoiled, I engage with a group of contemporary Asian American artists who expose and unravel the expectation that their work should…
Read More
One Hundred Years, Abbas Akhavan’s current exhibition at the Belkin Art Gallery at the University of British Columbia (UBC), loosely draws on the Brothers…
Read More
I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky…
Read More
“A win-win situation is when both Pixy and Moro benefit from each other at the same time,” reads one entry in artist Pixy Liao’s…
Read More
The feeling arrived as a sense of wanting to get away. Then I thought I was too hot, my frequent complaint, never voiced, that…
Read More
As I crossed the threshold into the dimly lit opening gallery that introduced Nadia Myre’s exhibition at the National Gallery of Canada, I was…
Read More
Leilah Babirye’s first solo museum show, We Have a History, at the de Young Museum in San Francisco, is comprised of twelve large-scale sculptures…
Read More
Last year, from my parents’ windows in Penang, Malaysia, a dark arm of sand appeared on the surface of the water. It was small…
Read More
In a large room, yellow glass bulbs were suspended from the ceiling, arranged like pendulums in a Newton’s cradle, lingering precariously about a foot…
Read More