Flickering Insight from the Whitechapel’s “Electronic Superhighway”
“The internet does not exist,” wrote Julieta Aranda, Brian Kuan Wood, and Anton Vidokle in e-flux journal’s critical anthology of the same name. Perhaps…
Read MoreRyan Trecartin
On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art
The most grievous problem with post-internet art has been its nebulousness. If, as Saelan Twerdy recently claimed in Momus, post-internet art may have reached…
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This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web
In a recent essay for Artforum, Jon Rafman described his early work as “romantic.” Specifically, he cited his virtual safaris of Kool-Aid Man in…
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The Figure is Back in New Museum Triennial
The figure is back. This is the main thesis according to New Museum’s Triennial “Surround Audience,” which offers a near-deafening obsession with the self….
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