Reviewing the Reviews: Documenta 15
The coverage and criticism of Documenta 15 was an experience in itself, whether or not you made it to Kassel this year. This edition…
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A Love Letter in Louisville: Breonna Taylor at the Speed Museum
“It’s like fucking vaporware.” I was on the phone with Kristina, Burnaway’s editor at large in New Orleans. We had been searching for days…
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Labor Lost: Okwui Enwezor’s Artworld Biennale
Consuming visual art is conspicuously, if oddly, social. You are inherently distracted, aware of watching and being watched, even, perhaps especially, in the darkened…
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A Future Never Sought: Okwui Enwezor’s 56th Venice Biennale
Swimming for his life, a man does not see much of the country through which the river winds. – W. E. Gladstone’s diary, 1868…
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Interview: Venice Biennale Curator Okwui Enwezor On “All the World’s Futures” and the Angel of History
During the London presentation of the 56th Venice Biennale, “All the World’s Futures,” curator Okwui Enwezor talked a lot about the past. H referenced…
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