Inside My Head: An Interview with Glenn Ligon
American artist Glenn Ligón is bringing together artworks spanning decades, continents, and themes that closely relate to his work with race and gender in post-war America….
Read MoreMomus
Bodies Beholden: The Changed Corporeality of David Salle’s New Paintings
In a 2008 commercial for the Swiffer SweeperVac, a conservatively clad woman weaves back and forth with the futuristic device, apparently engaged in an…
Read More
On the Subtle Joy of Agnes Martin
Agnes Martin began her lecture at Yale University with a deep breath … slowly, in and out. It was the mid-1970s, and Martin (1912–2004) was…
Read More
Are Sex Differences Getting in the Way?: The Limits of Gender-Based Curating
Dear Dick, I’m wondering why every act that narrated female lived experience in the ‘70s has been read only as “collaboration” and “feminist.” The…
Read More
The Meaning Behind the Merger of ARTnews and Art in America
It’s a media cliché that more has changed in the last ten years in journalism than in the century before that. Yesterday’s big news…
Read More
Picturing Nothing: Reading the Drawings of Sophie Jodoin Through the Words of Samuel Beckett
Four square all light sheer white blank planes all gone from mind. Never was but grey air timeless no sound figment the passing light….
Read More
On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art
The most grievous problem with post-internet art has been its nebulousness. If, as Saelan Twerdy recently claimed in Momus, post-internet art may have reached…
Read More
#Longform and #Longreads Journalism: Its Reality and Potential
Amazon’s recent announcement that it will begin paying authors who self-publish on the retailer’s various Kindle platforms according to the number of pages users…
Read More
Mary Heilmann and David Reed’s “Two By Two” at the Hamburger Bahnhof Floats Towards Americana
Once a train station, Berlin’s Hamburger Bahnhof museum now facilitates transportive experiences. There in a large hall, forty-five paintings currently hang in pairs, one…
Read More
Perfect Bedfellows: Tracey Emin on Francis Bacon
One of Tracey Emin ’s best known and most controversial works, My Bed, first made in 1998, and once in private hands, is now on…
Read More