Beware the “Creative Economy”
One-thousand six-hundred fifty-four. I’m not teaching this semester, but if I were, that is the one number that I would want everyone to remember….
Read MoreOne-thousand six-hundred fifty-four. I’m not teaching this semester, but if I were, that is the one number that I would want everyone to remember….
Read MoreArtists have long exploited the Zoroastrian struggle between light and dark to create images. Although darkness implies mystery and melancholy, in the hands of…
Read MoreHow the disfigured transfigure, how the formless become heavenly […] this strange spectacle had a transparence of an avatar. – Victor Hugo, The Man Who…
Read MoreIs contemporary Aboriginal art necessarily political? Does art made by First Nations, Inuit, or Métis artists inevitably engage with such historical events and trauma…
Read MoreIt’s been a good ten months. Since October 2014, Momus has quickly become a trusted reference for those wishing to reflect on contemporary art at…
Read MoreUnderground heroes. I’ve had many. Some of them I stole from the high shelves and long racks of chain bookshops. Novels and art catalogues,…
Read MoreThe fantastical meets the hackneyed in Jordan Maclachlan’s expansive Ways of Living, a detailed menagerie of other-worldly creatures, animals, and humans, too. The clay figures that…
Read MoreA call for action rang out in Vancouver this spring when members of the art community rallied together and voiced opposition to the sited…
Read MoreAbsolute Beauty’s curators Ekaterina Andreeva and Andrei Khlobystin have tasked themselves with an unsolvable puzzle: how to capture, in a medium-sized exhibition with limited…
Read MoreIt’s not easy to write about Iris Häussler. I’ve been avoiding it, though desiring it, since her daring He Named Her Amber (2008) subsumed the…
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