
Our Mutual Desire for Critical Change: Momus and Feature Art Fair
In Venice, last spring, over the requisite Spritz, I met with the London and New York-based critic Orit Gat to discuss the possibility of…
Read MoreIn Venice, last spring, over the requisite Spritz, I met with the London and New York-based critic Orit Gat to discuss the possibility of…
Read MoreAn early critique I received as an artist was in jury feedback for an unsuccessful grant application: “why does this work need to be…
Read MoreWhen I meet Dana Schutz amidst the clash and clatter of the installation of her solo mid-career survey at the Musée d’art contemporain de…
Read MoreSix months ago, Kristiina Lahde created her own toughest act to follow. Her solo exhibition, Ultra-Parallel, held at the Koffler Centre of the Arts in…
Read MoreThe artist’s studio has long been a beloved subject for art, one nearing art itself. What attracts us to it? What is the quale,…
Read MoreCommenting on a creative relationship that was at the beginning of its end, a 2011 New York Times article quoted Hyperallergic editor-in-chief Hrag Vartanian…
Read MoreAlex McLeod’s most recent solo exhibition – his first at Division Gallery in Toronto – is aptly titled HONEYMOON, featuring a unique formal marriage…
Read MoreAfter seeing Derek Liddington’s solo show at aka artist-run in Saskatoon, I immediately went home to reread the first article I wrote on his…
Read MoreBoth experienced and inexperienced gallery visitors are familiar with the standardized formula of spectatorship: Each artwork is treated as a discrete, enclosed structure containing…
Read MoreWe know that museums the world over are incredibly popular, but how do we keep the visitors coming? In a globalized art economy, the question…
Read More