A Portrait of The Artist as a Young Professional: Joseph Hartman’s Artist Studios
The artist’s studio has long been a beloved subject for art, one nearing art itself. What attracts us to it? What is the quale,…
Read MoreThe artist’s studio has long been a beloved subject for art, one nearing art itself. What attracts us to it? What is the quale,…
Read MoreCommenting on a creative relationship that was at the beginning of its end, a 2011 New York Times article quoted Hyperallergic editor-in-chief Hrag Vartanian…
Read MoreAlex McLeod’s most recent solo exhibition – his first at Division Gallery in Toronto – is aptly titled HONEYMOON, featuring a unique formal marriage…
Read MoreAfter seeing Derek Liddington’s solo show at aka artist-run in Saskatoon, I immediately went home to reread the first article I wrote on his…
Read MoreBoth experienced and inexperienced gallery visitors are familiar with the standardized formula of spectatorship: Each artwork is treated as a discrete, enclosed structure containing…
Read MoreWe know that museums the world over are incredibly popular, but how do we keep the visitors coming? In a globalized art economy, the question…
Read MoreGustave Caillebotte has been curiously canonized: first as Impressionist, then as Realist, then as more of a collector than an artist. Gustave Caillebotte: The…
Read MoreTwice in the past year I’ve visited Olga Korper and she’s taken me from the gallery, past the offices, through her kitchen (where there’s…
Read More“Hablar de corrupcion es tocar a Mexico en el corazón,” my mentor said. “Be careful.” Tocar. Transitive verb meaning: to touch, to feel, to…
Read MoreImpresario, entrepreneur, gambler, and connoisseur – the French art dealer Paul Durand-Ruel (1831-1922) was all of these. He was also a force in fostering…
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