These Are Not Ideas; These Are Things: A Conversation with Liz Magor
Liz Magor claims her “space between the mould and the cast.” It’s a pronouncement reified by thirty years of installation and sculpture that reads…
Read MoreLiz Magor claims her “space between the mould and the cast.” It’s a pronouncement reified by thirty years of installation and sculpture that reads…
Read MoreEverything about publishing is changing, including art criticism and news. What sort of art coverage we consume, how we consume it, and on what…
Read MoreOver five years, from 1992 to 1997, Tom Friedman produced 1000 Hours of Staring, a work of pure intention and immaculate material. A blank…
Read MoreMost people don’t. Picture in your head an issue of the most important art magazine in the world: its circulation is less than the…
Read MoreToronto recently saw Union Station’s protracted and over-budget revitalization project achieve one of its first clear signs of completion, an expansive public art installation…
Read MoreRuth Asawa spent the summer of 1948 making buttermilk for her teachers, Josef and Anni Albers, in Asheville, North Carolina. She was enrolled at…
Read MoreIn Venice, last spring, over the requisite Spritz, I met with the London and New York-based critic Orit Gat to discuss the possibility of…
Read MoreAn early critique I received as an artist was in jury feedback for an unsuccessful grant application: “why does this work need to be…
Read MoreWhen I meet Dana Schutz amidst the clash and clatter of the installation of her solo mid-career survey at the Musée d’art contemporain de…
Read MoreSix months ago, Kristiina Lahde created her own toughest act to follow. Her solo exhibition, Ultra-Parallel, held at the Koffler Centre of the Arts in…
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