The Slow, Meditative Optimism of Jillian Kay Ross
Jillian Kay Ross doesn’t make conceptual paintings. She doesn’t question the fundamentals of her medium, or speak critically to any historical lineage. She isn’t…
Read MoreJillian Kay Ross doesn’t make conceptual paintings. She doesn’t question the fundamentals of her medium, or speak critically to any historical lineage. She isn’t…
Read MoreA recent exhibition at the National Academy Museum in New York raised the question Moshe Safdie (born 1938) has wrestled with his whole career. Is…
Read MoreArt criticism doesn’t often speculate on the value of pithy maxims such as ‘there’s no such thing as bad publicity.” But when an article…
Read MoreLike Gustav Klimt or Claude Monet, the unwilling darlings of dorm room posters everywhere, Maurits Cornelis Escher belongs to the class of meritorious artists…
Read More“An SEP,” he said, “is something that we can’t see, or don’t see, or our brain doesn’t let us see, because we think that…
Read MoreIn the wake of last year’s No Man’s Land: Women Artist’s from The Rubell Family Collection, and the unprecedented Larry Gagosian / Jeffrey Deitch…
Read MoreNothing about Aleks Slota’s elfin appearance prepares you for his performances. Small-framed and wiry, his body hardly looks bullish enough for acts of endurance…
Read MoreOn my end-of-the-year “Best Shows” list, I nominated Rachel Rose’s hypnotic Everything and More video at the Whitney Museum of American Art. In response,…
Read MoreLandscaping along the 87-mile stretch of highway from Shanghai to the ancient village of Wuzhen in southern China is a work in progress. On…
Read MoreA small white boat navigates forceful swells and choppy waves. No land in sight, this lone vessel presses forth. Fortunately, the lightly clouded sky…
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