Misogyny and the Myth of the ’90s at Mexico City’s Kurimanzutto
Kurimanzutto is a pristine, vaulted gallery in the San Miguel de Chapultepec neighborhood of Mexico City. As part of the recent exhibition XYLAÑYNU. Taller…
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Interview: Allison Hrabluik on the Unscripted Magic of “The Splits”
Studying the human body in movement is a constant in Allison Hrabluik’s work. Starting first with hand-drawn animations, then making more abstract films derived…
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Fantasies Both Light and Dark in Veteran Mavericks Eldon Garnet and Max Dean
Two veteran mavericks whose wide-ranging practices gradually came to concentrate around photography are enjoying late-career exhibitions in Toronto. Max Dean has received recent accolades,…
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How To Be an Unprofessional Artist
No one likes being called an amateur, a dilettante, a dabbler. “Unprofessional” is an easy insult. The professional always makes the right moves, knows…
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Flickering Insight from the Whitechapel’s “Electronic Superhighway”
“The internet does not exist,” wrote Julieta Aranda, Brian Kuan Wood, and Anton Vidokle in e-flux journal’s critical anthology of the same name. Perhaps…
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What Should Art “Do”? The Eccentrics’ Vital Nonsense in a Time of Crisis
What should artists do in a time of crisis? This grave question haunted the avant-garde movements of the early twentieth-century. In the wake of…
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In Search of Himself: Sky Glabush’s Mimetic Practice Drifts Into the Neo-Modernist Trend
“Artists don’t own the meaning of their work.” New York Times critic Roberta Smith issued this controversial and affecting line to a full auditorium…
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Does the Right Hand Cover for the Left?: The Case of the Remai Modern and Its Errant Board
I take no pleasure in realizing the unpleasant aspects of something I’d otherwise be very proud of. In this case, the object of pride…
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The State of the Artworld, Explained
The Metropolitan Museum of Art in Manhattan is opening its new contemporary art initiative, taking over the old Whitney Museum of American Art’s building…
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To Cloak or Reveal: Ryan Gander on the Question That Dogs Him
At the end of our interview Ryan Gander is suggesting we meet again, “Same time next week?” He’s laughing. I’ve involuntarily submitted myself to…
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