“Out There in the Many Miles of Bad Lands”: Georgia O’Keeffe in Her Own Words
“It takes a kind of nerve … and a lot of hard, hard work.” So said Georgia O’Keeffe at the age of 90 when…
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After Brexit, Art Must Break Out of Its Bubble
In the early days of 2009, to celebrate its ascendancy to the presidency of the European Union, the Czech Republic commissioned a special artwork…
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Emerging Artist Neil Beloufa Turns Smug at MoMA
As subject matter, the debased utopia is low-hanging fruit. Every continent has a few, and they emanate intoxicating aromas of corrupted idealism. In making…
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The Fair They Built: The Disappeared Workers of Art Basel, in Painting
For days before Art Basel opens, an ant colony of installers, assistants, interns, and technicians (an estimated majority of whom are themselves artists-on-the-make, myself…
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Understanding Lina Bo Bardi’s Unending Popularity (and Misuse)
Imagine the ghost of Lina Bo Bardi banging the ceiling with a broomstick to annoy whomever’s making a ruckus upstairs. Now imagine it’s not…
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You Are Still Here: The Present Tense and Present Threat of Mona Hatoum
Mona Hatoum’s Grater Divide (2002) is a cheese-grater nearly seven feet high. On the one hand, it’s laugh-out-loud funny. On the other, it’s lethal. It…
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The Tug of the Earth and the Tug of the Sky: The Writhing Stillness of Agnes Martin
Ask yourself, What kind of happiness do I feel with this music or this picture? – Agnes Martin, “Beauty is the Mystery of Life”…
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Abigail DeVille Unburies Bodies at The Contemporary
What happens to history in a black hole? Abigail DeVille’s exhibition Only When It’s Dark Enough Can You See the Stars is a dense,…
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Art and Architecture’s DIY Practices and “Folk Politics”: Radical or Picking Up the Social Tab?
A young architect in Berlin recently argued to me that working with refugees on a design-build project could lend it more credibility and political…
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Printmaking in the Anthropocene: Sean Caulfield’s Uncannily-Timed “Firedamp” Burns Darkly
Beneath a cloudless, 180-degree sky, the prairie landscape is littered with alien, industrial objects. This is the backdrop of Sean Caulfield’s childhood in rural…
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