
Manifesta 11: What Artists and Curators Do for Money
It is a very small, and no doubt unintentional victory for the curatorial concept of Manifesta 11: What People Do for Money-Some Joint Ventures…
Read MoreIt is a very small, and no doubt unintentional victory for the curatorial concept of Manifesta 11: What People Do for Money-Some Joint Ventures…
Read MoreGuy Maddin’s latest exhibition finds the artist in a splendid mood, if preoccupied by the subtle, inescapable persistence of his loneliness. Maddin and his…
Read MoreThough history is said to have been written by the victors, one might be forgiven for casting doubt on this particular adage in Richmond,…
Read More“It takes a kind of nerve … and a lot of hard, hard work.” So said Georgia O’Keeffe at the age of 90 when…
Read MoreIn the early days of 2009, to celebrate its ascendancy to the presidency of the European Union, the Czech Republic commissioned a special artwork…
Read MoreAs subject matter, the debased utopia is low-hanging fruit. Every continent has a few, and they emanate intoxicating aromas of corrupted idealism. In making…
Read MoreFor days before Art Basel opens, an ant colony of installers, assistants, interns, and technicians (an estimated majority of whom are themselves artists-on-the-make, myself…
Read MoreImagine the ghost of Lina Bo Bardi banging the ceiling with a broomstick to annoy whomever’s making a ruckus upstairs. Now imagine it’s not…
Read MoreMona Hatoum’s Grater Divide (2002) is a cheese-grater nearly seven feet high. On the one hand, it’s laugh-out-loud funny. On the other, it’s lethal. It…
Read MoreAsk yourself, What kind of happiness do I feel with this music or this picture? – Agnes Martin, “Beauty is the Mystery of Life”…
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