
Do Androids Dream of Representative Art?
“The closer we come to the danger, the more brightly do the ways into the saving power begin to shine and the more questioning…
Read More“The closer we come to the danger, the more brightly do the ways into the saving power begin to shine and the more questioning…
Read MoreWhen the Oxford English Dictionary announced that its 2016 Word of the Year was post-truth, the understanding was that the political upheavals of the…
Read MoreIt’s more than working together. “Collaboration” has enjoyed a distinct currency in the twenty-first century as a buzzword that sailed from the open-office playgrounds…
Read MoreBefore we saw the art, we saw the hype: a press release, consisting of two seemingly mismatched parts, which circulated widely and even garnered…
Read MoreOne The first threatens all artists, and everyone else too: simple disregard. The viewer makes a rolling stop at each frame, not accelerating past,…
Read MoreI confess to experiencing regular doubt, lately, about what art criticism can contribute to the fray when the conversations we need to be having,…
Read MoreThe Canadian Pavilion at the 57th Venice Biennale has been partially destroyed. Its roof has been punctured, so it seems, by some inexplicable disaster….
Read MoreThis year’s spate of artworld controversies surrounding cultural appropriation and the ethics of representation suggests that we should sharpen our vocabulary, and find precise…
Read MoreAgainst this summer’s alignment of Documenta 14, the Venice Biennale, and Skulptur Projekte Münster, the first edition of the Desert X biennial seemed to…
Read MoreIn advance of Missing, French conceptual artist Sophie Calle’s first major retrospective in the United States, both New York Times Magazine and the Guardian…
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