Carolee Schneemann’s Ethics of Eros
Amid a surging wave of political activism and newly liberated energies, Carolee Schneemann wrote, in 1968, that “perception should lead to action.” Schneemann suspected…
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Episode 5: Conflict of Interest with Tyler Green and Catherine G. Wagley
In this episode of “Criticism in Conversation”, two art critics and historians discuss “conflict of interest” in contemporary art criticism. Tyler Green, the host of…
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A Return to What?
As Momus nears its fourth anniversary, and cautiously begins celebrating its evolution from a very fledgling start, we’ve been met with a review from…
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O Narciso: The Streets Look Back at Hudinilson Jr.
Too marginal, or too resistant, to be an active player within contemporary Brazilian art to reap its rewards, Hudinilson Jr. has only recently gained…
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Episode 4: Art and Technology Criticism with Nora Khan and Mike Pepi
Two art and technology critics, Nora Khan and Mike Pepi, discuss pushing for a rigorous critical discourse in a creative field that can…
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A Pile of Dirt
On the occasion of Architecture Fringe 2018, a Scotland-wide festival of art and architecture, I recently delivered an informal talk entitled “Piles of Dirt…
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Episode 3: Art Criticism vs. Journalism with Catherine G. Wagley and Julia Halperin
In the first episode of Momus’s new “Criticism in Conversation” podcast series, an art critic and an art journalist parse the differing responsibilities and…
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What to Do About Klaus: How Arts Communities Assert Their Agency
As first impressions go, it wasn’t ideal. On the week he was announced as MOCA Los Angeles’s new director, Klaus Biesenbach managed to alienate…
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Wealth and Lust in Monaco: The Sensuous Illusions of Tom Wesselmann
The vitality of sexual liberation in a perpetual summer, slick with a well-advertised promise of paradise. Sunstroked bodies lotioned and perfumed with coconut sunblock…
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A Long, Dull Shadow: Georg Baselitz’s Legacy of Misogyny
The erection that introduces Baselitz: Six Decades seems an appropriate prelude to what follows. That it protrudes like Pinocchio’s nose from a disproportionately small…
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