Firing Blanks: Hito Steyerl and the Voiding of Research Art
We’ve all heard the statistics. That in America, there is a mass shooting every day, that one hundred Americans die from gun violence daily,…
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Where Do We Go From Here? Dubious Wealth and Ethical Funding
In the popular imagination, calling someone a “modern Medici” is a synonym for “visionary patron of the arts.” That association itself shows how much…
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Episode 11: “What Makes Great Art?” with Jinn Bronwen Lee
As we continue our season-long exploration of “What makes great art?”, Sky Goodden sat down with Jinn Bronwen Lee, an artist based in Chicago….
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The Totemic Quotidian in Roula Partheniou
At a time when contemporary art production is dominated by forces outside its control, pulling and pushing against commercial and cultural contexts; when media…
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Can a Lobby Be Subversive? Jenny Holzer’s Comcast Capitulation
At 60 stories and 1,121 feet, the new Comcast Technology Center is the tallest building in Philadelphia, a glaringly optimistic slice of the city’s…
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Free Your Mind, or Else: “Acid Communism” and Contemporary Art’s Futurism
Along with the blog posts, articles, reviews, and interviews collected in K-Punk, last year’s voluminous anthology of writings by the late British cultural theorist…
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“I’m Staying Away From Trump as Subject Matter”: Howardena Pindell On Refusal and Evolution
The American artist Howardena Pindell arrived in London for her first solo show in the UK just as the 45th US President landed for…
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The Faces That You Meet: Huma Bhabha’s Close Encounters
The works of Huma Bhabha affect a strange pareidolia: they lure, and then repel, dissipating the familiarity they promise. The Karachi-born artist mines the…
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From a Cabin in the Woods: Dieter Roelstraete’s “HUTOPIA” and the Shelters of Thought
I harbor fantasies of retreating for stretches of time to a simple cabin in the countryside. My place, spare but tasteful, would feature a…
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“Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke
On a perfect spring day in late May, I found myself huddled in a crowded gallery for an artist talk, my head leaning forward,…
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