
The Orgasmic Capacity of Color: Judy Chicago’s Los Angeles
Throughout this period I was also discovering that I was multi-orgasmic … I was developing color systems which made forms turn, dissolve, open, close,…
Read MoreThroughout this period I was also discovering that I was multi-orgasmic … I was developing color systems which made forms turn, dissolve, open, close,…
Read MoreIn September 2018, word traveled of accusations of trans censorship by a Mohkinstsis (Calgarian) arts facility. The allegedly-censored video work in question, A Thousand…
Read More For this month’s episode, still circling the question “what makes great art?”, Lauren Wetmore enters into a searching conversation with Irish curator and…
Read MoreIt was an ordinary Friday evening in September, perhaps already giving way to Saturday morning bleariness, when I turned to my partner half asleep and…
Read MoreLately I’ve been thinking about how we do “crits” at art school, and how we might do them differently. The crit, or critique, is…
Read MoreArtist Eliza Swann moved to Los Angeles in 2013, after the spirit of a raven told her, head west. Swann had been in the…
Read More1. “I do not mourn for what I have lost. For if there is one new art that we have had to learn, those…
Read More Continuing with our pursuit of the question “What makes great art?”, Lauren Wetmore sits down with Greek art historian, curator, and writer Katerina…
Read MoreI work on 22nd Street in the Chelsea gallery district of Manhattan, so it was easy to notice the painting. Louis Fratino’s I keep…
Read MoreIn the pantheon of texts about art, there are very, very few that have had the impact of “The Tear Gas Biennial.” Published online…
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