Wide Open Spaces: Pacifico Silano Emancipates His Gay Erotica
Pacifico Silano’s practice is based in appropriating and rephotographing the imagery in gay erotica magazines published between 1969 and the late 1980s. In less-adept…
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Pacifico Silano’s practice is based in appropriating and rephotographing the imagery in gay erotica magazines published between 1969 and the late 1980s. In less-adept…
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Over the past four decades, Tony Cokes has perfected the art of the social justice slideshow. His video essays pair appropriated text with corporate…
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The last time I visited a museum was in early March, when I saw artist Tishan Hsu’s survey at Hammer Museum in Los Angeles….
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Walter Scott faces a dilemma that has confronted many multi-disciplinary artists, especially those who work in both contemporary art and more mass-cultural fields: being…
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Robin Cameron’s exhibition Memory Palace at Franz Kaka sits on the second floor. The stairs to the second floor are just inside the glass…
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There’s been much talk of Ambera Wellmann’s show Logic of Ghosts at Kraupa-Tuskany Zeidler, but not much talk of her paintings. For in filling…
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It’s become such a common sight, these past seasons, to visit someone over Skype and watch their form swim into view before a bookshelf….
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Legacy Russell doesn’t do things IRL. Throughout her writing, you’ll find instead the term “AFK” (Away From Keyboard). As the mobile internet became ubiquitous in…
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I met Didier William in the fall of 2018, when he came to Pratt Institute to critique our undergraduate students. Didier and I talked…
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In March 2008, Ojore Lutalo received official denial of his request for release from solitary confinement at Trenton State Prison. In its appraisal of…
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