Blood and Paper: Zarina and the Currencies of Violence in India
This past winter was a tumultuous one for India. Braving police brutality and state repression, protests raged against draconian anti-Muslim legislation and a forthcoming…
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Ebony L. Haynes on “What’s Changed, and What Should?” – Ep. 22
For episode 22, Lauren Wetmore spoke with Ebony L. Haynes, a gallerist, curator, and writer. Haynes is the Director of Martos Gallery in…
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Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality
Dear Readers, This has been a time of strife, uncertainty, and trauma for many. Before we can begin to celebrate the changes that emerge…
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Coco Fusco on “What’s Changed, and What Should?” – Ep. 21
For episode 21, Sky Goodden spoke with Coco Fusco, the legendary Cuban-American critic, artist, educator, and art historian. Speaking from the center of…
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The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil
One likely constant amid the uncertain reality of lockdown is that your screen time has probably gone up. While we are unable to access…
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Artists in Isolation: Lynne Cohen and the Fullness of Empty Space
There’s one image of a bed dressed in bleached sheets sanitized to a crisp, with a thin, folded blanket at the foot, in an…
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Listening to Jeanne Randolph
I have been lucky enough to sit in a dark room listening to Jeanne Randolph talk. I should mention that I say this very…
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Episode 20: “What’s Changed, and What Should?” with Daniel Blanga Gubbay
For this episode, still circling the question “what’s changed, and what should?”, Lauren Wetmore spoke with Brussels-based curator Daniel Blanga Gubbay, the artistic co-director…
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Cyclical Gods: Reliving Pandemic
I arrived at the opening of Sanctuary, artist Chen Dongfan’s first institutional exhibition in New York City, overcome with a profound sense of disorientation….
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Artists in Isolation: Nadège Grebmeier Forget’s “Some Kind of Game”
Live on Facebook from the artist’s home-studio on a March afternoon, Nadège Grebmeier Forget disgorged an urgent, spontaneous, and cathectic release of maximalist body…
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