Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater
God seduced Jesus on a Circuit City breakroom table. The seduction began as we, the audience, sat circled in child-sized chairs in a too-bright…
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God seduced Jesus on a Circuit City breakroom table. The seduction began as we, the audience, sat circled in child-sized chairs in a too-bright…
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In episode 4, Dr. Léuli Eshrāghi discusses “tagatavāsā,” a text centered on Eshrāghi’s grandmother’s art practice that interweaves Indigenous language with the vernacular of…
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When my Skype interview with Voluspa Jarpa begins, her face is sandwiched between two huge lips like a Tour de France winner being pecked…
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As New York galleries reopened after the first wave of lockdowns, I noticed a trend across a handful of exhibitions that channeled the alienation…
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“Like writing, fisting is both a replicable skill and a rarefied art form.” This brachioproctic line begins writer Tausif Noor’s “Hand In Glove” (Artforum, 12 April…
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“Let’s stop talking about Philip Guston and start talking about structural racism.” This has been critic Nikki Columbus’s refrain through the past season, issuing…
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Four Indigenous artists are about to launch daphne, an Indigenous artist-run center in Tiohtià:ke/Mooniyang/Montreal. The co-founders are Hannah Claus, Nadia Myre, Skawennati, and Caroline Monnet….
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Graphic novelist Chris Ware’s most recent effort, Rusty Brown, is a life-giving maze. A massively depressing book – a 356-page monument to modern loneliness…
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In 2007, anticipating a recession that would destabilize so much, the celebrated publisher Annie Koyama began giving out small grants to artists – “quietly,”…
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Season 4 of Momus: The Podcast invites art critics and journalists to talk about an important piece of their writing – texts that carry…
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