The Wish in Yong Soon Min’s KISSSSS
“It is worth wondering, perhaps, what the wishes are in kissing,” Adam Phillips writes. In his readings of Freud, Phillips suggests that a kiss…
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Prescient About Still-Active Threats, Marisol Is Right on Time
Near the end of the definitive, long-overdue survey of the artist Marisol at the Buffalo AKG Art Museum, after a parade of totemic sculptural…
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Arenas of Freedom
“Time is more than a container; time participates.” —Susan Rethorst, A Choreographic Mind I often enter retrospectives with a certain girding of the…
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Swelling Time: Sam Tam Ham Probes the Prime Meridian
Like most other instruments of empire used to chart our world, the international prime meridian is an invisible, regnant force. A product of colonial…
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Picturing Disease and Desire
Across fourteen photographs, clothes strewn in a moment of passion transfigure into lasting compositions. Empty shoes perch and keel over, bra straps lie tangled,…
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Sinister and Playful: Anne Duk Hee Jordan at Canal Projects
Snailing (Slippy slimy slug slut), the first solo institutional show in New York by Anne Duk Hee Jordan, features an immersive installation that explores…
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Kelly Lycan’s Objects in Waiting
Kelly Lycan is a photo-based installation artist who pulls apart our expectations of the photograph. Like a back door or a sprung leak, her…
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Spaces of Doubt: Ursula Biemann at MUAC
Ursula Biemann has been challenging, and excavating, how knowledge is produced for thirty years now, but in the past decade she has turned her…
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Dempsey Bob is Waking Up
A camera pans down slowly, following the progression of a fast-flowing waterfall in the Pacific Northwest. The first minute of A Wolf’s Way: Dempsey…
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Divya Mehra, Stirring and Whirring Colonialism’s Ghosts
The whirring motor sound emanates from an unusual contraption. A linear aluminum-rail system is attached to the wall, a vertical glint of silver adrift…
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