
A Note on Omission: Navigating Institutional Censorship and the Need for Repair
When I used the term “Muslim body” in my curatorial note* for an exhibition in New Delhi last year, I did not anticipate the…
Read MoreWhen I used the term “Muslim body” in my curatorial note* for an exhibition in New Delhi last year, I did not anticipate the…
Read MoreA soft, warm light morphs into a shadow of a woman’s braided hair on the back of her neck. There is the sound of…
Read MoreSomewhere in the stratosphere between Ohio and New York, cumbersome bodies bumping against pockets of turbulence, my mind turned to the title of Lucie…
Read MoreThe late artist Carole Caroompas was once asked why rock and roll provided such generative source material for her paintings and performance art. Caroompas…
Read MoreI sat in the last row of the bus, watching the scenery dissolve into dusk, each passing moment echoing the temporal experience I’d just…
Read MoreNona Faustine, who passed away this March, was magnificent—a valiant beacon of light in a world often cruel and dismissive of Black women’s histories…
Read MoreSystems call to mind the grandiose, sweeping, and entrenched, for better or worse. Systems of belief, systems theory, the prison system … By comparison,…
Read MoreMomus and the Vera List Center for Art and Politics have co-published the spring edition of Post/doc, the VLC’s biannual publishing series for discursive,…
Read MoreMomus and the Vera List Center for Art and Politics have co-published the spring edition of Post/doc, the VLC’s biannual publishing series for discursive,…
Read MoreEvery time I visit Delhi from Colombo, which has been my primary home for three decades, I fight sensory overwhelm caused by the fragility…
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