In Continent of Misbelief at David Kordansky Gallery in New York, Jared Buckhiester stages American masculinity as a ritual of collapse and works inside…
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Louise Nevelson and I are twins, separated at birth by almost one hundred years—or maybe we’re friends, or she’s my godparent: a guiding light,…
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In my book, Spoiled, I engage with a group of contemporary Asian American artists who expose and unravel the expectation that their work should…
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One Hundred Years, Abbas Akhavan’s current exhibition at the Belkin Art Gallery at the University of British Columbia (UBC), loosely draws on the Brothers…
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I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky…
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“A win-win situation is when both Pixy and Moro benefit from each other at the same time,” reads one entry in artist Pixy Liao’s…
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The feeling arrived as a sense of wanting to get away. Then I thought I was too hot, my frequent complaint, never voiced, that…
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As I crossed the threshold into the dimly lit opening gallery that introduced Nadia Myre’s exhibition at the National Gallery of Canada, I was…
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Leilah Babirye’s first solo museum show, We Have a History, at the de Young Museum in San Francisco, is comprised of twelve large-scale sculptures…
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Last year, from my parents’ windows in Penang, Malaysia, a dark arm of sand appeared on the surface of the water. It was small…
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