Ana Mendieta’s Death is Not a Metaphor
Let the art come first. This must have been the axiom behind Covered in Time and History, Martin-Gropius-Bau’s 2018 exhibition of twenty-three films and…
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Crocodile Tears: Ed Atkins and the Crisis of Pathetic Masculinity
Type “Ed Atkins” into Google, and you’ll shortly come face to face with an asshole: not the artist himself – though his smiling visage…
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Modernist Frederick Kiesler is “Rediscovered” Between Abstraction and Compromise
In 1990, Berlin’s Potsdamer Platz was a wasteland. German partition had sent the square back in time, making space for “The City of the…
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