“What Makes Great Art?”: Momus: The Podcast with Osei Bonsu (Episode 9)
In continuing our season-long exploration of the question “What makes great art?” co-hosts Lauren Wetmore and Sky Goodden speak to essential voices about what…
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“What Makes Great Art?” with Jeanne Randolph and Sheila Heti (Episode 8)
What makes “great art”? How do we account for what Gertrude Stein called the “itness” of art, and what are we seeking –…
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Episode 7: “Over, Again and Again,” Renewing Canada’s Artist-Run Culture
In Momus: The Podcast‘s 7th episode, we have brought together a group of artists, curators, and scholars to update the conversation around Artist-Run…
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Episode 6: An Ethics of Abundance with Jacob Wren and Dayna Danger
For this episode of our Criticism in Conversation series, a writer and collaborative performer, Jacob Wren, speaks with artist Dayna Danger, about the line…
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Episode 5: Conflict of Interest with Tyler Green and Catherine G. Wagley
In this episode of “Criticism in Conversation”, two art critics and historians discuss “conflict of interest” in contemporary art criticism. Tyler Green, the host of…
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Episode 4: Art and Technology Criticism with Nora Khan and Mike Pepi
Two art and technology critics, Nora Khan and Mike Pepi, discuss pushing for a rigorous critical discourse in a creative field that can…
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Episode 3: Art Criticism vs. Journalism with Catherine G. Wagley and Julia Halperin
In the first episode of Momus’s new “Criticism in Conversation” podcast series, an art critic and an art journalist parse the differing responsibilities and…
Read MoreMomus: The Podcast (Episode 2): The Artist Residency
The artist residency has risen to the top of the artworld’s global economy and increasing professionalization, becoming one of the key features of contemporary…
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The Artist Residency – Ep. 02
Informing the artworld’s global economy and increasing professionalization, the artist residency has risen to the top, becoming one of the key features of contemporary…
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Manifesta 11: What Artists and Curators Do for Money
It is a very small, and no doubt unintentional victory for the curatorial concept of Manifesta 11: What People Do for Money-Some Joint Ventures…
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