Romantic and Brawling: On Four Chicago Artists
Chicago has never really recovered from Imagism. That local explosion—whose blast radius stretched from roughly the late 1940s through the mid-1970s—gave the city’s art…
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We’re Alive, Pablo Is Dead
Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though…
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Working It
In an interview about her 2003 performance Untitled, in which she had sex with an art collector on camera for a sum initially reported…
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Proving the Rule: The “Exceptionalism” Problem with Art-World Labor
It’s a rainy winter day in New York amid the ongoing apocalypse and I am struggling to think about museums. I do not, any…
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Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial
In the aftermath of Donald Trump’s nauseating election victory, hard on the heels of this year’s earlier Brexit vote in the UK, it has…
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Helen Molesworth Upends the Permanent Hang at MOCA LA
Ruth Asawa spent the summer of 1948 making buttermilk for her teachers, Josef and Anni Albers, in Asheville, North Carolina. She was enrolled at…
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The Whitney’s Triumphant New Museum is Worrying For Art
Today, the new Whitney Museum of American Art opens its broad gates to the masses. If New York’s museum competition were a horserace, Renzo Piano’s appealing and thoughtful…
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Nice Things: The Pleasure Principle in Jeff Koons and Cory Arcangel
If you’ve taken the New York subway in the last couple of months, you’ve probably seen advertisements for the Whitney Museum’s Jeff Koons exhibition….
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