The 57th Carnegie International Wanders in Search of “Museum Joy”
Ingrid Schaffner, curator of the 57th Carnegie International, announces in the exhibition’s accompanying book that “The aim of this International is simply to inspire…
Read MoreEarl Miller
No Land in Sight: A Timely Response to the Migrant Crisis from Denmark’s SUPERFLEX
A small white boat navigates forceful swells and choppy waves. No land in sight, this lone vessel presses forth. Fortunately, the lightly clouded sky…
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Momus “Best Of”: Vol. 1
It’s been a good ten months. Since October 2014, Momus has quickly become a trusted reference for those wishing to reflect on contemporary art at…
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On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art
The most grievous problem with post-internet art has been its nebulousness. If, as Saelan Twerdy recently claimed in Momus, post-internet art may have reached…
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A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader
In 2012, Frieze surveyed art critics writing for newspapers, magazines, and online publications, asking how they conceived of their connection with the public. None…
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