The Aesthetic Dimension of Erasure: Voluspa Jarpa on Twenty Years of Recovering Trauma
When my Skype interview with Voluspa Jarpa begins, her face is sandwiched between two huge lips like a Tour de France winner being pecked…
Read MoreDonald Judd
Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven
I was lured by the promise of a sepia-tinged ideal: west Texas golden hours and wide-open spaces. A visit to Marfa had long been…
Read More
The Orgasmic Capacity of Color: Judy Chicago’s Los Angeles
Throughout this period I was also discovering that I was multi-orgasmic … I was developing color systems which made forms turn, dissolve, open, close,…
Read More
Ceramics in the Expanded Field: The Art World, the Clay World, and the Case for John Mason
Let’s suppose that ceramic art, done by artists who were clay handlers before anything else, got accepted as sculpture proper – that and nothing…
Read More
Any Plans After the Exhibition?
The image above is an installation shot from When Attitudes Become Form: Bern 1969/Venice 2013. It was a recreation of Harald Szeeman’s famous exhibition…
Read More