Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements
I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky…
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I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky…
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Satisfaction (2000) by the artist Alexis Smith is a collage that features a shabby reproduction of Hokusai’s The Great Wave placed within a glitzy…
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In 2017, I started working with Claudia Rankine and a collective called the Racial Imaginary Institute (TRII). For their inaugural project they were curating…
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The Heritage Foundation and conservative groups like it have been trying to kill the National Endowment for the Arts for decades. Last month, the Trump…
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The Rencontres d’Arles is arguably the most important photography event of the year. From tiny galleries to medieval churches to a Roman amphitheater, the…
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The most famous performance photograph of all time must be the one known as Saut dans le vide (Leap into the Void), showing the…
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Ruth Asawa spent the summer of 1948 making buttermilk for her teachers, Josef and Anni Albers, in Asheville, North Carolina. She was enrolled at…
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Michael Smith belongs to the first wave of artists who made extensive use of mass-media imagery and formats in their work. His conceptually-minded peers…
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Early in its trajectory, independent curator and writer Christopher Eamon distinguished himself in the field of moving-image media and photography, and asserted its knock-kneed…
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The Denny Gallery may have given themselves a curatorial headache with the title of their current exhibition, Share This! Appropriation After Cynicism. There are…
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