Ambivalent Transparency: Artists Go on and “Off the Record” at Guggenheim
In the spring of 1971, the Guggenheim was set to open a solo exhibition from German conceptualist Hans Haacke. It included two installations of…
Read MoreCarrie Mae Weems
Signal and Noise: Sara Eliassen and the Visual Roots of Fascism
During an October campaign event leading up to the 2018 midterm elections, President Trump declared himself openly as a “nationalist,” but not a “white…
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Year in Review: The Women Represented
To cast back and select my favorite art this year requires a mnemonic leap of faith. I’d hope the ‘best’ exhibitions, pieces, and events…
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