Abstraction, Legibility, and Desire in the Work of Brenda Draney
Sawridge First Nation artist Brenda Draney paints open-ended memories, what might have been or should have been or could have been otherwise. Her solo…
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Printmaking in the Anthropocene: Sean Caulfield’s Uncannily-Timed “Firedamp” Burns Darkly
Beneath a cloudless, 180-degree sky, the prairie landscape is littered with alien, industrial objects. This is the backdrop of Sean Caulfield’s childhood in rural…
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