Ana Mendieta’s Death is Not a Metaphor
Let the art come first. This must have been the axiom behind Covered in Time and History, Martin-Gropius-Bau’s 2018 exhibition of twenty-three films and…
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The Tonal Ambivalence of Feminist Land Art Retreat
In 2005, at the Canadian Pavilion for the Venice Biennale, Indigenous artist Rebecca Belmore projected a video installation called Fountain onto a wall of…
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The Unspecific (But Straining) Politics of Joan Jonas
Long an idiosyncratic priestess of the limbo between myth and art, Joan Jonas has moved into pagan revivalism. They Come to Us Without a…
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