Dora García Has Many Names: The Artist on Three Works Across a Pandemic
It’s become such a common sight, these past seasons, to visit someone over Skype and watch their form swim into view before a bookshelf….
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Shannon Bool Traces the Women of Algiers
The symbolism of ornament has long founded Shannon Bool’s practice, and that’s lucky. It’s lucky that something so alluring could be both legitimating and…
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Faulty Infrastructure: New Orleans’s Triennial Can’t Commit
Nine years after the inaugural Prospect show of 2008, what can the exhibition that christened itself the United States’s only international biennial offer in…
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