What Gets Revealed When Iris Häussler Finally Owns Her Name
It’s not easy to write about Iris Häussler. I’ve been avoiding it, though desiring it, since her daring He Named Her Amber (2008) subsumed the…
Read MoreAGO
Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto
There is a bracing moment at the end of my interview with Chantal Pontbriand in early July, where, just as I’m about to leave,…
Read More
The Exit Interview: Matthew Teitelbaum
June 26, 2015 marks Matthew Teitelbaum’s last day as the director and CEO of the Art Gallery of Ontario (AGO). His departure caps 22 years…
Read More
A Rebuttal, Not a Conversation: Discussing Ombaasin’s AGO Intervention, “Land Rights Now”
Walking the AGO’s latest exhibition Picturing the Americas: Landscapes from Tierra del Fuego to the Arctic with Wanda Nanibush, an Anishnawbe-kwe artist, consultant, and…
Read More
Paul P. on Two Works by Stephen Andrews
There have been many works of art made by artists about September 11th; countless artworks attempting to make sense of, or commemorate, the geopolitical…
Read More
Parsing Re-Performance and Institutional Critique in the Choreography of Sasha Kleinplatz
what about doing the same piece for the rest of your life in different iterations? Chorus II as a work for children? as solo?…
Read More
Interview: The Difficulty in Distilling Suzy Lake
Suzy Lake occupies a unique position in contemporary art history, having both helmed and contributed to the advent and advancement of at least three…
Read More