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What Is an Art Fair Doing Asking “What Is To Be Done?”

Tented within Manhattan’s industrial piers, and under a cold sweep of wind, the Armory Art Fair rounded out its latest edition (under new director,…

Momus Best-Of: Vol. 2 2015-16

As we near our two-year anniversary, and summer draws to a close, Momus takes a moment to reflect on the last twelve months of…

Any Plans After the Exhibition?

The image above is an installation shot from When Attitudes Become Form: Bern 1969/Venice 2013. It was a recreation of Harald Szeeman’s famous exhibition…

Interview: Stephen Bulger Reflects on Twenty Years of Missteps, Success, and Advancing Form in Photography

Photography gallerist Stephen Bulger (b. 1964) is celebrating a significant anniversary after steadily and concertedly contributing to the international market’s appreciation of photography’s position in…

Interview: Ben Davis on Marxism, Criticism, and Contemporary Art

Ben Davis is among the most keenly-read young critics working in the field today. His analyses of the contemporary artworld – both its machinations…

Bad Faith in MOCA Toronto’s Inaugural Show, “Believe”

I’ve spent the better part of five months trying to write a review of a show that’s now closed: MOCA Toronto’s inaugural exhibition, Believe….

Residencies

To Build and Sustain: Momus Residency, Summer 2025 August 11-15, 2025 Led by Jessica Lynne, with Sky Goodden and Lauren Wetmore, and faculty members…

“In the Round of Her Need”: An Interview with Ambera Wellmann

I first observed the uncanny paintings of Ambera Wellmann in an intimate solo show at Toronto’s now-defunct Richard Rhodes Dupont Projects. A natural light…

Grieving in L.A.

My first trip to Los Angeles started ten days after an election that diminished our assurance in something like a common good. I booked…

A Future Never Sought: Okwui Enwezor’s 56th Venice Biennale

Swimming for his life, a man does not see much of the country through which the river winds. – W. E. Gladstone’s diary, 1868…