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Coco Fusco on “What’s Changed, and What Should?” – Ep. 21

For episode 21, Sky Goodden spoke with Coco Fusco, the legendary Cuban-American critic, artist, educator, and art historian. Speaking from the center of…

Episode 16: “What Makes Great Art?” with Margaux Williamson

As we continue to circle the question “what makes great art?”, Sky Goodden spoke with Margaux Williamson, a slow painter who gives the greatest primacy…

“We Need More Voices”: Introducing the Momus Emerging Critics Residency

In late August 2019, Momus will be launching its inaugural Momus Emerging Critics Residency, in collaboration with Montreal’s Concordia University. We’re incredibly excited to…

Episode 11: “What Makes Great Art?” with Jinn Bronwen Lee

As we continue our season-long exploration of “What makes great art?”, Sky Goodden sat down with Jinn Bronwen Lee, an artist based in Chicago….

“Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke

On a perfect spring day in late May, I found myself huddled in a crowded gallery for an artist talk, my head leaning forward,…

“What Makes Great Art?”: Momus: The Podcast with Osei Bonsu (Episode 9)

In continuing our season-long exploration of the question “What makes great art?” co-hosts Lauren Wetmore and Sky Goodden speak to essential voices about what…

Momus: The Podcast: The Venice Biennale

Pilot Episode: The Venice Biennale Download Welcome to the pilot episode of Momus: The Podcast! For our first broadcast, we focus on the historic Venice Biennale. As…

Season 4 Episode 1: What Artists and Curators Do for Money

Season 4 of Momus: The Podcast invites art critics and journalists to talk about an important piece of their writing – texts that carry…

Sophia Al Maria on “What’s Changed, and What Should?” – Ep. 23

For episode 23, Lauren Wetmore spoke with Sophia al Maria, a Qatari-American artist, writer, and filmmaker based in London. Author of publications including Sad…

A Parallel Landscape: Ned Pratt’s Abstract Sublime

In Canadian art’s long and unswift adaptation of an avant-garde, landscape painting yielded to an important reduction, an essentializing that rendered place ancillary, and…