The Remains of the Day: Nadia Belerique in Glasgow
In between visits to Nadia Belerique’s exhibition, SLICE, at David Dale Gallery in Glasgow, I’d been engaged in moving flats for the first time…
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In between visits to Nadia Belerique’s exhibition, SLICE, at David Dale Gallery in Glasgow, I’d been engaged in moving flats for the first time…
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This month, Sky Goodden speaks with Rahel Aima, a prolific critic, art writer, and Associate Editor at Momus. We focus on a text Aima published in Momus, “Depleting…
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In the penultimate episode of Season 4 – across which Momus: The Podcast has been engaging writers on the genesis and reception of a…
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In the penultimate episode of Season 4 – across which Momus: The Podcast has been engaging writers on the genesis and reception of a…
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CRITICAL WRITING FELLOWSHIP The Momus Critical Writing Fellowship provides sustained mentorship, editorial support, and network-building to early-career art writers, critics, and publishers. The third…
Read More“A school will change you, and it teaches you as much about how people will interpret you, misunderstand and dismiss you, as it will…
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“A school will change you, and it teaches you as much about how people will interpret you, misunderstand and dismiss you, as it will…
Read MoreRianna Jade Parker reads “Letter from London: What is the Status of Black Artists in England Today?” published in ARTnews (June 2020), and engages…
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Rianna Jade Parker reads “Letter from London: What is the Status of Black Artists in England Today?” published in ARTnews (June 2020), and engages Sky Goodden on…
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“Let’s stop talking about Philip Guston and start talking about structural racism.” This has been critic Nikki Columbus’s refrain through the past season, issuing…
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