To Cloak or Reveal: Ryan Gander on the Question That Dogs Him
At the end of our interview Ryan Gander is suggesting we meet again, “Same time next week?” He’s laughing. I’ve involuntarily submitted myself to…
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At the end of our interview Ryan Gander is suggesting we meet again, “Same time next week?” He’s laughing. I’ve involuntarily submitted myself to…
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When you have as many critics as Dave Hickey, you don’t hope to publish a book quietly so much as attract the right kind…
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Joseph Tisiga is an emerging artist of a particular stripe. He is young (born in 1984), and very successful: he was nominated as a…
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Liz Magor claims her “space between the mould and the cast.” It’s a pronouncement reified by thirty years of installation and sculpture that reads…
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Toronto recently saw Union Station’s protracted and over-budget revitalization project achieve one of its first clear signs of completion, an expansive public art installation…
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In Venice, last spring, over the requisite Spritz, I met with the London and New York-based critic Orit Gat to discuss the possibility of…
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It’s not easy to write about Iris Häussler. I’ve been avoiding it, though desiring it, since her daring He Named Her Amber (2008) subsumed the…
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Momus was founded a short time ago. It was initiated as a proposed recovery from a confused and defensive (and, so I thought, largely…
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Walking the AGO’s latest exhibition Picturing the Americas: Landscapes from Tierra del Fuego to the Arctic with Wanda Nanibush, an Anishnawbe-kwe artist, consultant, and…
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Twice in the course of a thirty-minute interview with Tacita Dean, her eyes move across the room and narrow-in on the media coordinator, who…
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