Season 4

In episode 4, Dr. Léuli Eshrāghi discusses “tagatavāsā,” a text centered on Eshrāghi’s grandmother’s art practice that interweaves Indigenous language with the vernacular of contemporary art. Eshrāghi works across visual arts, curatorial practice, and university research, “intervening in display territories to centre Indigenous kin constellations, sensual and spoken languages, and ceremonial-political practices.” In this intimate conversation with Lauren Wetmore, Eshrāghi  says, “I wonder how you can bring texts to be haunted by the absence of knowledge, or by the violence of the borders of today.” “tagatavāsā” was published in C Magazine in Winter 2019.

Dr. Eshrāghi  contributes to growing international critical practice across the Great Ocean and North America through residencies, exhibitions, publications, teaching and rights advocacy. Eshrāghi is board secretary of the Indigenous Curatorial Collective, the inaugural Horizon/Indigenous Futures postdoctoral fellow at Concordia University, a member of The Space Between Us SSHRC research partnership (2020-28) led by Dr. Julie Nagam, an affiliate member of the Wominjeka Djeembana research lab at Monash University led by Dr. Brian Martin, and a member of the Asia Pacific Artistic Research Network led by Dr. Danny Butt at University of Melbourne and Kurniawan Adi Saputro at Indonesian Institute of the Arts Yogyakarta.

Momus: The Podcast is edited by Jacob Irish, with production assistance from Chris Andrews.

About the Guest

About the Guest, and more

  • Dr. Léuli Eshrāghi (Sāmoan, Persian, Cantonese) is a visual artist, writer, curator and researcher who works between Australia and Canada. Ia intervenes in display territories to centre Indigenous kin constellations, sensual and spoken languages, and ceremonial- political practices. Through performance, moving image, writing and installation, ia engages with Indigenous futurities as haunted by ongoing militourist and missionary violences that once erased faʻafafine-faʻatane people from kinship and knowledge structures. Eshrāghi has made new commissions for the 22nd Biennale of Sydney, Sharjah Biennial 14, Australian Centre for Contemporary Art and Smithsonian Asian Pacific American Center among other group and solo presentations in Australia, Canada, New Zealand and the United States. Eshrāghi has lectured at gatherings Creative Time, Hawaiʻi Contemporary Art Summit, Experimenter Curators’ Hub, March Meeting, Dhaka Art Summit, Pacific Arts Association, and Asia Pacific Triennial, as well as at universities in Antwerp, San Juan, London, Melbourne, Yogyakarta, Montreal, Honolulu, Auckland and Victoria. Ia contributes to growing international critical practice across the Great Ocean and North America through residencies, exhibitions, publications, teaching, and rights advocacy.

More by the Guest

Estuaries: An International Indigenous Art Criticism Residency

May 15June 4, 2023
Led by Dr. Léuli Eshrāghi and Candice Hopkins, and faculty members Sarah Biscarra Dilley, Dr. Cathy Mattes, Dr. Maia Nuku, Pablo José Ramírez, Dr. Jolene Rickard, Megan Tamati-Quennell, and River Whittle.

Writing Relations, Making Futurities: Global Indigenous Art Criticism Residency

February 7-11, 2022 and March 14-18, 2022
Led by Dr. Léuli Eshrāghi, and faculty members Dr. Ngarino Ellis, Dr. Stephen Gilchrist, Dr. Liisa-Rávná Finbog, Dr. Lana Lopesi, Dr. Joseph M. Pierce, Dr. Jolene Rickard, and Lagi-Maama.

Momus Emerging Critics Residency 2021

August 920, 2021
With faculty members Rahel Aima, Hannah Black, Dr. Léuli Eshrāghi, Sky Goodden, Ebony L. Haynes, Candice Hopkins, Emmanuel Iduma, Jessica Lynne, Mark Mann, Catherine G. Wagley, and Lauren Wetmore.

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