“Science Truth” and Fearless Feminism in Lynn Hershman Leeson’s “Civic Radar”
Recently, I woke up with a bump on my pinkie finger. I thought it was an insect bite. After a few days, I realized…
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“A Self-Implicated Search”: Reviewing Robert Linsley’s Final Book
At an artist talk several years ago, I asked Robert Linsley to explain why artworks should be treated as human beings. Seemingly embarrassed, he…
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Drones, by Design: Mahwish Chishty and the Politics of Representation
What’s at stake – aesthetically and politically – when we imagine the drone as an emblem for contemporary society? Consider the range of artistic…
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Jill Magid’s Post-Truth Diamond Proposal
As the spectacle of the 2016 United States presidential elections played out over the summer, Mexico hosted a surreal visit by a well-known, polarizing…
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Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent
Staging a major retrospective of Edmund Alleyn as a flagship summer show is a bold move on the part of the Musée d’art contemporain…
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Manifesta 11: What Artists and Curators Do for Money
It is a very small, and no doubt unintentional victory for the curatorial concept of Manifesta 11: What People Do for Money-Some Joint Ventures…
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“If You Are Black, You Really Are Coming from Behind”: Orders of Visibility in Kerry James Marshall’s “Mastry”
In 1963, Dr. Martin Luther King, Jr. described the collective imagination of black people in America in terms of freedom dreams, and these dreams…
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Interview: Allison Hrabluik on the Unscripted Magic of “The Splits”
Studying the human body in movement is a constant in Allison Hrabluik’s work. Starting first with hand-drawn animations, then making more abstract films derived…
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Towards the Quiet, or with Larger Amplifiers: An Interview with Berlin Performance Artist Aleks Slota
Nothing about Aleks Slota’s elfin appearance prepares you for his performances. Small-framed and wiry, his body hardly looks bullish enough for acts of endurance…
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How to Art Fair
Nobody likes them. Even if you do enjoy an art fair, it would be gauche to say so. You go because it’s your job….
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