How to Survive International Art: Notes from the Poverty Jetset
You are a writer, a curator, an installation artist, a social practitioner, a fly-by-night art advisor, an art-fair fixture, an inveterate biennialist. You live…
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Looking At Us Looking At You: Looking Down on Isa Genzken
Isa Genzken is one of the most respected German artists working today, whose brittle sculptures and shiny, glittery collages document a world of trash…
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The Dreamscapes of Vienna’s Sprawling “Century of the Bed” Series
In last year’s cyber-romance Her, Amy Adams plays a videogame developer who is making a documentary film in her spare time. When she screens…
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Karen Kraven Nets Meaning in the Threads
As viewers of art – and as living things – we are built to find patterns, to process vast and various data with frenetic…
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Machinations: Stan Douglas Makes His Theatrical Debut
What to make of Stan Douglas’s Helen Lawrence – currently on at Toronto’s CanStage – from the perspective of a theater-goer unfamiliar with the…
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Nice Things: The Pleasure Principle in Jeff Koons and Cory Arcangel
If you’ve taken the New York subway in the last couple of months, you’ve probably seen advertisements for the Whitney Museum’s Jeff Koons exhibition….
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Fossils
Enthusiasts probing the furrows of British art are currently liable to stumble across one of two types of fossils. One, London’s major galleries and…
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How to Write About Contemporary Art
First, don’t. Don’t intend to write about art at all. Write about something else. Go harrowingly into debt for an MFA in creative writing…
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An Italian Futurist Out of Step with the Rest: Salvatore Scarpitta
Salvatore Scarpitta’s solo show at the Hirschhorn Gallery, Traveler, includes two race cars, a burnt-out sled, canvases that had been slashed, layered, and strung…
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