Art at the Border: Cutting for Signs in Pace Gallery’s “Border Cantos”
The phrase “cutting for sign” means searching a landscape for clues. This might refer to the search for a lost herd of cattle or…
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The Abject Intimacies of Chris Curreri
I would like to be like water or rather like milk – completely pourable am right now more like stone but like sand or…
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The Center Holds: Bruce High Quality Foundation’s Accidental Gulf Nativism
Every first of May, as people around the world take to the streets to commemorate labor struggles, members of France’s Front National party (FN)…
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Momus: The Podcast: The Venice Biennale
Pilot Episode: The Venice Biennale Download Welcome to the pilot episode of Momus: The Podcast! For our first broadcast, we focus on the historic Venice Biennale. As…
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Invasiveness and Indigeneity: Alicia Escott’s Complicit Critique
An iconography of flora and fauna local to the Sunset District of San Francisco administers a powerful critique, in Alicia Escott’s current exhibition. Using…
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What Happened to the Anthropocene? Searching the 57th Venice Biennale for Signs of Destruction
There’s no greater risk to our species than the one posed by humankind’s impact on the environment. It’s unnerving how familiar this adage has…
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“The Only Things That are Unchangeable are Tombstones”: Vito Acconci (1940-2017)
Vito Acconci, a towering figure in the history of performance art, and more recently known for his experimental architecture, has died at the age…
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Hannah Black Transcends the Dana Schutz Controversy with a Slow-Burn MoMA PS1 Performance
The beautiful weather and the Spring Open House invitation – highlighting some new and promising exhibitions featuring works by Ian Cheng, Maureen Gallace, and Tomáš…
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What Kind of Criticism Do We Need Now? Coming to Terms with Teju Cole’s “Known and Strange Things”
“We look at them for the way they cooperate with the imagination, the way they contain what cannot otherwise be accommodated, and the…
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Where the Party Is: Mark Leckey’s Vernacular, Autobiographical Tour Through Pop
My personal experience [is that] intranational tourism is radically constricting, and humbling in the hardest way – hostile to my fantasy of being a…
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