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Sophia Al Maria on “What’s Changed, and What Should?” – Ep. 23

For episode 23, Lauren Wetmore spoke with Sophia al Maria, a Qatari-American artist, writer, and filmmaker based in London. Author of publications including Sad…

Ebony L. Haynes on “What’s Changed, and What Should?” – Ep. 22

For episode 22, Lauren Wetmore spoke with Ebony L. Haynes, a gallerist, curator, and writer. Haynes is the Director of Martos Gallery in…

Episode 13: “What Makes Great Art?” with Francis McKee

For this month’s episode, still circling the question “what makes great art?”, Lauren Wetmore enters into a searching conversation with Irish curator and…

“What Makes Great Art?” with Jeanne Randolph and Sheila Heti (Episode 8)

What makes “great art”? How do we account for what Gertrude Stein called the “itness” of art, and what are we seeking –…

Lara Khaldi

Lara Khaldi is our final guest on Season 6 of Momus: The Podcast. A curator, artist, writer, and educator, Khaldi was born in Jerusalem,…

Drew Kahuʻāina Broderick

Drew Kahuʻāina Broderick (Kanaka ‘Ōiwi) joins Lauren Wetmore in conversation about Māhealani Dudoit’s fundamental text, “Carving a Hawaiian Aesthetic,” published in the first issue of ‘Ōiwi:…

Sháńdíín Brown

This episode features an interview with Sháńdíín Brown (Diné), continuing our series talking to participants in the Momus residency “Estuaries: An International Indigenous Art Criticism Residency”…

Momus & Forge Project Announce Participants of “Estuaries”

Forge Project and Momus are pleased to announce the participants in Estuaries: An International Indigenous Art Criticism Residency, which will be led by Dr. Léuli Eshrāghi (Sāmoa)…

The Soft Syncretism of Tau Lewis

In Vox Populi, Vox Dei, Tau Lewis’s recent exhibition at 52 Walker, textiles and temporal forces worked together to unstitch and rethread imperial mythmaking….

Arushi Vats

“We are post-purity,” observes Arushi Vats, a Delhi-based writer and inaugural fellow of the Momus/Eyebeam Critical Writing Fellowship. Rooted in field research and expanded…