Identity After the Internet: Three Berlin Exhibitions in Search of Commonality
Does anyone write diaries any more? Does anyone learn about themselves through reflexive engagement with their own written word? Or do we form conceptions…
Read MoreDoes anyone write diaries any more? Does anyone learn about themselves through reflexive engagement with their own written word? Or do we form conceptions…
Read MoreTadej Pogačar is a Slovenian artist who has been making work for over thirty years. For much of that period he has operated under…
Read MoreIn 2012, Frieze surveyed art critics writing for newspapers, magazines, and online publications, asking how they conceived of their connection with the public. None…
Read MoreCosima von Bonin is an artist who won’t let go. Her new exhibition at Vienna’s MUMOK is an explosion of stuffed animals and chicks…
Read MoreGiven that I’ve chosen to contribute to a platform that boasts “a return to art criticism,” it would be worth considering what that might…
Read MoreThe latest fair to arrive to Canada’s growing art market was named Feature, but could have been titled Focus. With only twenty-three galleries, and…
Read MoreWhat to make of Stan Douglas’s Helen Lawrence – currently on at Toronto’s CanStage – from the perspective of a theater-goer unfamiliar with the…
Read MoreFirst, don’t. Don’t intend to write about art at all. Write about something else. Go harrowingly into debt for an MFA in creative writing…
Read MoreBen Davis is among the most keenly-read young critics working in the field today. His analyses of the contemporary artworld – both its machinations…
Read MoreLove makes love, hate makes hate, and disdain has a strange way of eliciting both. Brad Phillips’s show I Didn’t Retire, I Surrendered, a…
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