The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga
Joseph Tisiga is an emerging artist of a particular stripe. He is young (born in 1984), and very successful: he was nominated as a…
Read MoreJoseph Tisiga is an emerging artist of a particular stripe. He is young (born in 1984), and very successful: he was nominated as a…
Read MoreSix months ago, Kristiina Lahde created her own toughest act to follow. Her solo exhibition, Ultra-Parallel, held at the Koffler Centre of the Arts in…
Read MoreBoth experienced and inexperienced gallery visitors are familiar with the standardized formula of spectatorship: Each artwork is treated as a discrete, enclosed structure containing…
Read MoreIt’s not easy to write about Iris Häussler. I’ve been avoiding it, though desiring it, since her daring He Named Her Amber (2008) subsumed the…
Read MoreMomus was founded a short time ago. It was initiated as a proposed recovery from a confused and defensive (and, so I thought, largely…
Read MoreJune 26, 2015 marks Matthew Teitelbaum’s last day as the director and CEO of the Art Gallery of Ontario (AGO). His departure caps 22 years…
Read MoreThe frisky Toronto collective VSVSVS – a collective of emerging artists, most of whom are connected to Guelph University, and many of whom share…
Read MoreThe best way to fuck something up is to give it a body. A voice is killed when it is given a body. Whenever…
Read More“Beauty” and “dreamscape” are not buzzwords in today’s critical-art discourse. And yet they describe the Mori Art Museum’s Lee Mingwei and His Relations: The…
Read MoreHow does performance art survive? What artifacts, narratives, or documents testify to performance’s occurrence? For the genre’s venerable practitioners from its historic moment of…
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