Momus -
  • Writing
  • Programs
    • Mentorship
      • Critical Writing Fellowship
      • Momus Residencies
    • Talks
  • Podcast
  • About
    • About
    • Contact
    • How to Pitch Momus
  • Support
  • Inside the Ruins of American Masculinity: Jared Buckhiester at David Kordansky Gallery

    by Paige Greco Reviews
  • Minh Nguyen and Tiana Reid

    by Momus
  • Choosing How to be Seen: Lessons from Louise Nevelson’s Early Work

    by Ruby Sky Stiler Reviews
  • banner
  • banner
  • banner
  • banner
  • banner
  • banner
  • banner
  • banner
  • banner
  • banner
  • banner
  • banner
Reviews

Inside the Ruins of American Masculinity: Jared Buckhiester at David Kordansky Gallery

By Paige Greco

In Continent of Misbelief at David Kordansky Gallery in New York, Jared Buckhiester stages American masculinity as a ritual of collapse and works inside…

Minh Nguyen and Tiana Reid

By Momus

Tune in to a special bonus episode of Momus: The Podcast featuring a live recording from the launch of writer and critic Minh Nguyen’s…

Reviews

Choosing How to be Seen: Lessons from Louise Nevelson’s Early Work

By Ruby Sky Stiler

Louise Nevelson and I are twins, separated at birth by almost one hundred years—or maybe we’re friends, or she’s my godparent: a guiding light,…

Features

Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion

By Summer Kim Lee and TJ Shin

In my book, Spoiled, I engage with a group of contemporary Asian American artists who expose and unravel the expectation that their work should…

      Reviews

      Time Made Strange: Abbas Akhavan at the Belkin Art Gallery

      By Andrew Witt

      One Hundred Years, Abbas Akhavan’s current exhibition at the Belkin Art Gallery at the University of British Columbia (UBC), loosely draws on the Brothers…

      Reviews

      Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements

      By Emma Fiona Jones

      I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky…

      Reviews

      Dare to Have Fun: Pixy Liao Plays with Gendered Power at the Art Institute of Chicago

      By Anna Aguiar Kosicki

      “A win-win situation is when both Pixy and Moro benefit from each other at the same time,” reads one entry in artist Pixy Liao’s…

      Reviews

      Call from Inside the House: Christina Forrer at Parker Gallery

      By Lisa Locascio Nighthawk

      The feeling arrived as a sense of wanting to get away. Then I thought I was too hot, my frequent complaint, never voiced, that…

      Reviews

      Learning to Move Differently: Nadia Myre at the National Gallery of Canada

      By Alexandra Nordstrom

      As I crossed the threshold into the dimly lit opening gallery that introduced Nadia Myre’s exhibition at the National Gallery of Canada, I was…

      Reviews

      Fellow Members of an Unfolding Constellation: Leilah Babirye at the de Young

      By Caroline Picard

      Leilah Babirye’s first solo museum show, We Have a History, at the de Young Museum in San Francisco, is comprised of twelve large-scale sculptures…

      Lucy Sante

      By Momus

      Lucy Sante joins us for the finale of Season 8. The Belgian-born American critic, writer, and artist talks about her lifelong textual engagement with…

      Features

      Extraordinary Living Begins Here: Artists Negotiate Large-Scale Infrastructure

      By Jade Meili Barget

      Last year, from my parents’ windows in Penang, Malaysia, a dark arm of sand appeared on the surface of the water. It was small…

      Reviews

      Risking Fear: Hamad Butt at Whitechapel Gallery

      By Tatum Howey

      In a large room, yellow glass bulbs were suspended from the ceiling, arranged like pendulums in a Newton’s cradle, lingering precariously about a foot…

      Reviews

      The Technologies of Art and War: Lucy Raven at Vancouver Art Gallery

      By Claudia Ross

      Recently, I’ve been enjoying art that disappears. Art that combusts, implodes, melts, burns; that’s what I’m after. Google Gustav Metzger’s singed, barely-there canvases, for…

      Features

      What a Book Can Do: On Editing Emily Mason and Alice Trumbull Mason’s Monographs

      By Elisa Wouk Almino

      For the past weeks, I’ve kept a new monograph on the artist Emily Mason on my glass coffee table, observing the sea of its…

      Reviews

      Myth and Reality Converge: Qiu Anxiong and Howie Tsui at Richmond Art Gallery

      By Lin Li

      Entering The Roaming Peach Blossom Spring, Qiu Anxiong and Howie Tsui’s two-person exhibition at the Richmond Art Gallery, British Columbia, felt like stepping into…

      More Articles

      Follow Us

      • Instagram
      Donate with Paypal
            • banner
            • banner
            • banner
            • banner
            • banner
            • banner
            • banner
            • banner
            • banner
            • banner
            • banner
            • banner



            Support   Contact  
            Copyright © Momus 2025
            Back to top