In her first solo exhibition at Parisian Laundry, Celia Perrin Sidarous presents a selection of photographs engaging with the enigmatic lives of objects through processes of collection and display, and the mechanisms of time and memory. Significant to Perrin Sidarous’ practice is the assemblage. Her images are the sites of dynamic juxtapositions and discrete repetitions. Objects such as seashells, fabrics, marble, cut outs, mirrors and ruins are arranged in a logic that at once signals inwards as well as pulsates out associatively—extending to other objects, to the space of the studio, to that of the image and to the place of exhibition.