The Soft Syncretism of Tau Lewis
In Vox Populi, Vox Dei, Tau Lewis’s recent exhibition at 52 Walker, textiles and temporal forces worked together to unstitch and rethread imperial mythmaking….
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The Preserving Machine of Matthias Groebel
In 1980s West Germany, when public-access channels first began streaming into living rooms, Matthias Groebel started building a painting machine to compete with the…
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Out of Necessity and Out of Love: Andrea Fatona’s 30-Year Tribute to Black Canadian Women
In 1989, amid fevered debates about multiculturalism and national identity, a group of Black women artists came together to organize an exhibition featuring artistic…
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Violence and Vibes Haunt Museum London’s “Spectral”
“A good perfume should make you feel a little apprehensive. It needs an intoxicating sillage. Something a bit gross and dark,” one sister whispers…
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“The Non-Places Are the Places”: Manifesta 14’s Uneasy Presence in Kosovo
The story is so symbolic, so filled with metaphor that many people thought it was an urban legend. In 1978, the Yugoslav government opened…
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It’s All About Good Timing: Goodwater at the Plumb
For the ancient Greeks, the division of time was represented by a separation of chronos from kairos. To symbolize durational or cyclical time, Greco-Roman…
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Mia Sandhu Holds the Gaze Hostage
Seeing You, Seeing Me, Seeing You, as a title, is a bit misleading. At first blush, you couldn’t tell whether the figures in Mia…
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Portrait of the Artist as a Young Thief
If they were lucky, novels about artists published in the past year got to ride the wave of a literary trend termed “Künstlermania.” The…
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Common Boundaries and Refused Exits: Aman Sandhu and Andrew Black
A double-sided screen hung in the middle of Centre Clark’s main gallery, suspending two landscapes like a portal. On one side was Aman Sandhu’s…
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Reviewing the Reviews: Documenta 15
The coverage and criticism of Documenta 15 was an experience in itself, whether or not you made it to Kassel this year. This edition…
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