The Problematized Fun of Cosima von Bonin
Cosima von Bonin is an artist who won’t let go. Her new exhibition at Vienna’s MUMOK is an explosion of stuffed animals and chicks…
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“He Did Not Ring My Head Like a Bell”: Reviewing Geoffrey Farmer
Kathy Acker rang my head like a bell. It happened in the Spring of 1990, while she was reading out loud, a passage to…
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Independent Projects Extends on the “Curated Fair,” with Mixed Results
An infamous art historical tale goes a little something like this. In April of 1917 the Society of Independent Artists was preparing for its…
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Future Forecast: The Montreal Biennale 2014
The Montreal Biennale is at once a new institution and an old one. Last year, the previous iteration of the Biennale (independently operated since…
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The Dreamscapes of Vienna’s Sprawling “Century of the Bed” Series
In last year’s cyber-romance Her, Amy Adams plays a videogame developer who is making a documentary film in her spare time. When she screens…
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Karen Kraven Nets Meaning in the Threads
As viewers of art – and as living things – we are built to find patterns, to process vast and various data with frenetic…
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Blue Republic Finds its Center
Since its inception, Blue Republic (comprised of the married collaborator-duo Anna Passakas and Radoslaw Kudlinski) has been working somewhat site-unseen. It has presented solo exhibitions…
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Machinations: Stan Douglas Makes His Theatrical Debut
What to make of Stan Douglas’s Helen Lawrence – currently on at Toronto’s CanStage – from the perspective of a theater-goer unfamiliar with the…
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The Militant Image
In 2003 the medieval town of Graz, in lower Austria (a region famously the birthplace of Arnold Schwarzenegger – his cardboard cutout greets you…
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Pierre Huyghe’s Airless Fantasy at Hauser & Wirth
Here’s my beef with Pierre Huyghe: the more his work dazzles his viewers with theatrical special effects, the more his underlying motivations are lost…
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