Alex McLeod’s most recent solo exhibition – his first at Division Gallery in Toronto – is aptly titled HONEYMOON, featuring a unique formal marriage…
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After seeing Derek Liddington’s solo show at aka artist-run in Saskatoon, I immediately went home to reread the first article I wrote on his…
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Both experienced and inexperienced gallery visitors are familiar with the standardized formula of spectatorship: Each artwork is treated as a discrete, enclosed structure containing…
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Gustave Caillebotte has been curiously canonized: first as Impressionist, then as Realist, then as more of a collector than an artist. Gustave Caillebotte: The…
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Michael Smith belongs to the first wave of artists who made extensive use of mass-media imagery and formats in their work. His conceptually-minded peers…
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How the disfigured transfigure, how the formless become heavenly […] this strange spectacle had a transparence of an avatar. – Victor Hugo, The Man Who…
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Carolyn Christov-Bakargiev’s Istanbul biennial SALTWATER: A Theory of Thought Forms opened with speeches and song as the artworld gathered to see her first major exhibition…
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Underground heroes. I’ve had many. Some of them I stole from the high shelves and long racks of chain bookshops. Novels and art catalogues,…
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The fantastical meets the hackneyed in Jordan Maclachlan’s expansive Ways of Living, a detailed menagerie of other-worldly creatures, animals, and humans, too. The clay figures that…
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A call for action rang out in Vancouver this spring when members of the art community rallied together and voiced opposition to the sited…
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