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Flickering Insight from the Whitechapel’s “Electronic Superhighway”
“The internet does not exist,” wrote Julieta Aranda, Brian Kuan Wood, and Anton Vidokle in e-flux journal’s critical anthology of the same name. Perhaps…
Read More“The internet does not exist,” wrote Julieta Aranda, Brian Kuan Wood, and Anton Vidokle in e-flux journal’s critical anthology of the same name. Perhaps…
Read MoreWhat should artists do in a time of crisis? This grave question haunted the avant-garde movements of the early twentieth-century. In the wake of…
Read More“Artists don’t own the meaning of their work.” New York Times critic Roberta Smith issued this controversial and affecting line to a full auditorium…
Read MoreCarol Wainio is a wonderful and troubling painter. For decades, a constant inventiveness in the ways of handling paint, of creating figures and spaces, has…
Read MoreTricia Middleton came late to showing in commercial galleries. In a career spanning fifteen years, her late-2014 exhibition at Jessica Bradley Gallery in Toronto…
Read More“When I first showed the city footage in Poughkeepsie, [artist] Liam Gillick said to me, ‘Anri, tell me the truth. Tell me that this…
Read MoreJillian Kay Ross doesn’t make conceptual paintings. She doesn’t question the fundamentals of her medium, or speak critically to any historical lineage. She isn’t…
Read MoreI visited Erin Loree’s Toronto studio a couple months before her first commercial exhibition, Midnight Bloom, opened at Angell Gallery in January. Working from…
Read MoreLike Gustav Klimt or Claude Monet, the unwilling darlings of dorm room posters everywhere, Maurits Cornelis Escher belongs to the class of meritorious artists…
Read MoreIn the wake of last year’s No Man’s Land: Women Artist’s from The Rubell Family Collection, and the unprecedented Larry Gagosian / Jeffrey Deitch…
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