On the Sense of Queer Loneliness: Sacha Yanow’s “Uncle!” at The Kitchen
A lone wolf stalks the edges of Sacha Yanow’s one-person performance Uncle! that premiered at The Kitchen in New York in February. In nature,…
Read MoreA lone wolf stalks the edges of Sacha Yanow’s one-person performance Uncle! that premiered at The Kitchen in New York in February. In nature,…
Read MoreIn El abrazo, Delcy Morelos’s site-specific solo exhibition at Dia Chelsea in New York, two earthworks swell against the perimeters of two discrete, darkened…
Read MorePizandawatc / The One Who Listens / Celui qui écoute, a recent exhibition at the Art Museum at the University of Toronto (AMUT), draws…
Read More“The Sound-Sweep,” a 1960 short story by J. G. Ballard, takes place in a world where normal music has been supplanted by soundless, uncontaminated…
Read MoreSawridge First Nation artist Brenda Draney paints open-ended memories, what might have been or should have been or could have been otherwise. Her solo…
Read MoreWhat does an art practice that contends with feminism look like? In what ways can such a practice foreclose a confrontation with the complexities…
Read MoreWhen you first walk into Fragments of a Faith Forgotten: The Art of Harry Smith at the Whitney Museum, you’re greeted by Andy Warhol’s…
Read MoreRarely do I find a work of art as disturbing as Louise Bonnet’s innocuously titled painting Figure Holding an Orange (2023). This thirty-square-foot oil-on-linen…
Read MoreWhy is time rarely foregrounded in our experience of sculpture? Isa Genzken intends her works to function more like “moving images than as sculptures,…
Read MoreThe first image is a close-up of a breathing, or perhaps pulsing, scarlet blob. Only when the camera zooms out do we see these…
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