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Pacita Abad Sees the Soul of an Artifact
Pacita Abad, the Filipina artist who roamed the world like a traveling bard, was twenty-four when she left home in 1970. By the time…
Read MorePacita Abad, the Filipina artist who roamed the world like a traveling bard, was twenty-four when she left home in 1970. By the time…
Read MorePerhaps more than any other recent survey of abstract art, Virginia Jaramillo: Principle of Equivalence reframes what abstract art is and can do, politically…
Read MoreWhen it comes to critical analysis of an Indigenous artist’s output, there is a tendency to circumscribe. We want to capture and we want…
Read MoreThe Feminist Art Program (1970–1975): Cycles of Collectivity, which recently closed at REDCAT (an art center run by CalArts), could easily have been called Cycles…
Read MoreThe painter Agnes Martin contemplated language with a great deal of skepticism. Though she produced an impressive body of written work, mostly compiled and…
Read MoreA lone wolf stalks the edges of Sacha Yanow’s one-person performance Uncle! that premiered at The Kitchen in New York in February. In nature,…
Read MoreIn El abrazo, Delcy Morelos’s site-specific solo exhibition at Dia Chelsea in New York, two earthworks swell against the perimeters of two discrete, darkened…
Read MorePizandawatc / The One Who Listens / Celui qui écoute, a recent exhibition at the Art Museum at the University of Toronto (AMUT), draws…
Read More“The Sound-Sweep,” a 1960 short story by J. G. Ballard, takes place in a world where normal music has been supplanted by soundless, uncontaminated…
Read MoreSawridge First Nation artist Brenda Draney paints open-ended memories, what might have been or should have been or could have been otherwise. Her solo…
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