Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements
I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky…
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I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky…
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“A win-win situation is when both Pixy and Moro benefit from each other at the same time,” reads one entry in artist Pixy Liao’s…
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The feeling arrived as a sense of wanting to get away. Then I thought I was too hot, my frequent complaint, never voiced, that…
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As I crossed the threshold into the dimly lit opening gallery that introduced Nadia Myre’s exhibition at the National Gallery of Canada, I was…
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Leilah Babirye’s first solo museum show, We Have a History, at the de Young Museum in San Francisco, is comprised of twelve large-scale sculptures…
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In a large room, yellow glass bulbs were suspended from the ceiling, arranged like pendulums in a Newton’s cradle, lingering precariously about a foot…
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Recently, I’ve been enjoying art that disappears. Art that combusts, implodes, melts, burns; that’s what I’m after. Google Gustav Metzger’s singed, barely-there canvases, for…
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Entering The Roaming Peach Blossom Spring, Qiu Anxiong and Howie Tsui’s two-person exhibition at the Richmond Art Gallery, British Columbia, felt like stepping into…
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During the reign of Benito Mussolini, an enormous carved relief of the dictator’s head loomed over the streets of Rome, his downcast gaze surveilling…
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In the Helsinki archipelago, as the days stretched toward the midsummer sun, birds were my consistent companions. Gulls circled overhead as I rode the…
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