From a Cabin in the Woods: Dieter Roelstraete’s “HUTOPIA” and the Shelters of Thought
I harbor fantasies of retreating for stretches of time to a simple cabin in the countryside. My place, spare but tasteful, would feature a…
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Grafting the Baroque: The Scaled-Up Frames of David Armstrong Six
“Everything is composed of small particles of itself and they are flying around in concentric circles and arcs and segments and innumerable other geometrical…
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“This Reductive Brave New World”: Andrea Dworkin’s Painful Relevance
When I was an undergraduate in the early 2000s, Andrea Dworkin’s “anti-sex” writing was anathema to the prevailing discourse of feminism. The cultural moment…
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One Hundred Years of Ambivalence: The Many Legacies of the Bauhaus
It’s been a hundred years of bent chrome furniture, and Germany is taking stock. On the centennial of the Bauhaus art school, new permanent…
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The Erotics of Liberty: Dorothy Iannone’s Cultivated Bohemia
Whatever else they do in this world or the next, gods take up space. Consider Dorothy Iannone’s recent exhibition Lady Liberty Meets Her Match…
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Looking Out from Looking In: Geneviève Cadieux Shifts From the Polemic to the Poetic
Milling through the Vancouver Art Gallery earlier this spring, I stopped before a towering diptych that paired a cartoon prince and a back-turned nude….
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From Dust to Light: On Photography’s Material Traces
On the occasion of the opening of a Handful of Dust, at the Polygon Gallery in North Vancouver, visiting curator David Campany shared an…
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The Legacy of Mary Sully: Early Indigenous Feminism, and the “American Indian Abstract”
Few people have seen the work of 20th-century Indigenous artist Mary Sully. Despite her belonging to a prominent Indigenous family (one of her drawings…
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Applying “Applied Art”: Gropius Bau Mines Old Division Under New Direction
The term “applied art” can only read as a misnomer in 2019, when the line between strictly functional and purely aesthetic art practices has…
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Deeper Wounds: Nep Sidhu and Aestheticizing Trauma
To reconstitute memory that has been violently suppressed, we often turn toward the monumental, hoping to fill a discursive void with a profusion of…
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