Once a train station, Berlin’s Hamburger Bahnhof museum now facilitates transportive experiences. There in a large hall, forty-five paintings currently hang in pairs, one…
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One of Tracey Emin ’s best known and most controversial works, My Bed, first made in 1998, and once in private hands, is now on…
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First you pass through a canyon of glass bank towers, hugging the 110 on either side, concrete overpasses and underpasses, off-ramps and onramps, exits…
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There is a bracing moment at the end of my interview with Chantal Pontbriand in early July, where, just as I’m about to leave,…
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In a recent essay for Artforum, Jon Rafman described his early work as “romantic.” Specifically, he cited his virtual safaris of Kool-Aid Man in…
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I’d always thought of the word “disruptive” as a negative term before immersing myself in Simon Denny’s quasi-retrospective at MoMA PS1. The exhibition takes…
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… every text is from the outset under the jurisdiction of other discourses which impose a universe on it… [text operate] within the totality…
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Walking into the foyer of the Gardiner Museum, one comes face-to-face with what appears to be a segment taken directly from an archaeological dig, or…
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The emphatic capitalization of VIEW from HERE, Wanda Koop’s recent solo exhibition at the Winnipeg Art Gallery, implies an urgent specificity that is never…
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Momus was founded a short time ago. It was initiated as a proposed recovery from a confused and defensive (and, so I thought, largely…
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