Perfect Bedfellows: Tracey Emin on Francis Bacon
One of Tracey Emin ’s best known and most controversial works, My Bed, first made in 1998, and once in private hands, is now on…
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How To See a Sunset
First you pass through a canyon of glass bank towers, hugging the 110 on either side, concrete overpasses and underpasses, off-ramps and onramps, exits…
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Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto
There is a bracing moment at the end of my interview with Chantal Pontbriand in early July, where, just as I’m about to leave,…
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This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web
In a recent essay for Artforum, Jon Rafman described his early work as “romantic.” Specifically, he cited his virtual safaris of Kool-Aid Man in…
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Simon Denny’s Trade Show Overkill at MoMA PS1
I’d always thought of the word “disruptive” as a negative term before immersing myself in Simon Denny’s quasi-retrospective at MoMA PS1. The exhibition takes…
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It’s Not Stealing If It’s Art: A Re-Primer on Image Appropriation for the Internet Generation
… every text is from the outset under the jurisdiction of other discourses which impose a universe on it… [text operate] within the totality…
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Space is the Plane: Chris Curreri Explodes His Medium at the Gardiner Museum
Walking into the foyer of the Gardiner Museum, one comes face-to-face with what appears to be a segment taken directly from an archaeological dig, or…
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View from Here: On the Contingency of Sight in Wanda Koop
The emphatic capitalization of VIEW from HERE, Wanda Koop’s recent solo exhibition at the Winnipeg Art Gallery, implies an urgent specificity that is never…
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Post-Crisis: What’s Next for Art Criticism in a Digital Age
Momus was founded a short time ago. It was initiated as a proposed recovery from a confused and defensive (and, so I thought, largely…
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The Exit Interview: Matthew Teitelbaum
June 26, 2015 marks Matthew Teitelbaum’s last day as the director and CEO of the Art Gallery of Ontario (AGO). His departure caps 22 years…
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