
What Gets Revealed When Iris Häussler Finally Owns Her Name
It’s not easy to write about Iris Häussler. I’ve been avoiding it, though desiring it, since her daring He Named Her Amber (2008) subsumed the…
Read MoreIt’s not easy to write about Iris Häussler. I’ve been avoiding it, though desiring it, since her daring He Named Her Amber (2008) subsumed the…
Read MoreAmerican artist Glenn Ligón is bringing together artworks spanning decades, continents, and themes that closely relate to his work with race and gender in post-war America….
Read MoreIn a 2008 commercial for the Swiffer SweeperVac, a conservatively clad woman weaves back and forth with the futuristic device, apparently engaged in an…
Read MoreAgnes Martin began her lecture at Yale University with a deep breath … slowly, in and out. It was the mid-1970s, and Martin (1912–2004) was…
Read MoreDear Dick, I’m wondering why every act that narrated female lived experience in the ‘70s has been read only as “collaboration” and “feminist.” The…
Read MoreIt’s a media cliché that more has changed in the last ten years in journalism than in the century before that. Yesterday’s big news…
Read MoreFour square all light sheer white blank planes all gone from mind. Never was but grey air timeless no sound figment the passing light….
Read MoreIt’s easy to ignore pop culture’s messages. Too easy. Popular culture delivers its ideas and manifestos with such ham-fisted, careless presentation that the first…
Read MoreThe most grievous problem with post-internet art has been its nebulousness. If, as Saelan Twerdy recently claimed in Momus, post-internet art may have reached…
Read MoreOnce a train station, Berlin’s Hamburger Bahnhof museum now facilitates transportive experiences. There in a large hall, forty-five paintings currently hang in pairs, one…
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