Ydessa Hendeles: Of Ourselves and of Our Subjects
There is a fine line between being an object and a person. And it’s hard to know when it’s been traversed. The difficulty lies…
Read MoreThere is a fine line between being an object and a person. And it’s hard to know when it’s been traversed. The difficulty lies…
Read MoreAre art museums better off offering free admission? As the art market surges, and museum attendance rises, the question of what kind of ticket…
Read MoreConsuming visual art is conspicuously, if oddly, social. You are inherently distracted, aware of watching and being watched, even, perhaps especially, in the darkened…
Read MoreSwimming for his life, a man does not see much of the country through which the river winds. – W. E. Gladstone’s diary, 1868…
Read MoreThe context of Trenton Doyle Hancock’s past exhibitions weighs heavily on his present. With Hancock’s epic fiction circling the creatures known as Mounds, each successive…
Read MoreAny visitor to the New Museum Triennial is subject to the burden of information. There’s no ignoring the walls when the walls sprout obstacles…
Read MoreYoko Ono: One-Woman Show, 1960-1971 arrives at the Museum of Modern Art pre-freighted with issues of art and celebrity that have dogged the institution of…
Read MoreThe complex work of contemporary artist, media theorist, and filmmaker Hito Steyerl often pivots on a surprisingly simple tactic – wordplay. Consistently, across both…
Read MoreWhenever I am asked to fill out a form that requires a description of my eye color, I have to get up, find a…
Read MoreThere are few films that could be said to have led to their director’s deaths; Pier Paolo Pasolini’s Salò, or The 120 Days of…
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